T H E S I N S O F N E W Y O R K As "Exposed" by the Police Gazette By: Edward Van Emery FOREWORD BY THE AUTHOR
The Police Gazette! Against the background of American newsprint, this oldest of illustrated periodicals stands out a scarlet silhouette. While it flourished in other genertions, the name, POLICE GAZETTE, still intrigues as a cherished though bawdy souvenir of the bygone. Even if our impressions as to what the Gazette once stood for, be merely something that has been handed down to us, we are yet alive to the fact that this glamorous roue of journalism was conceived and thrived on sins. In fitting this epitome of sin between book covers I have carried my researches only to the end of the gaslit era. Even so, it has meant delving into five decades; decades that embrace the middle Forties to the early Eighties; decades that picture a New York suffering from growing pains, obstreperous adolescence and other ills a young and eager nation falls naturally heir to. My task has been to select out of this overgenerous wealth of material, what I may be permitted to describe as the "Gazette's" best worst features. I have chosen liberally from "Lives of the Felons," "Glimpses of Gotham, " Tales of the Tombs," "Deadly Dives," "Vice's Varieties," and similar popular serials and departments peculiar to the Gazette, together with generous excerpts from its accounts of big murders, misdemeanors and mysteries. Against the fact that the POLICE GAZETTE esteemed itself a national weekly, and was so known, I have confined myself to the sinning that went on in New York. For did not New York, even in those halcyon days, set the pace? A survey of these sins brings realization that the monster sins which the city of New York combated were Poverty and Politics. The fight against political corruption, of which New York had more than its share, has been ably and extensively dealt with in recent books, such as the history of Tammany Hall and others which single out the Tweed and Fernando Wood regimes. For this and various reasons, I have gone but lightly, if at all, into such momentous happenings as the Draft and Police Riots, the Fisk killing, the raid of the ghouls on the Stewart tomb, as well as some other historical occurrences. And the following still remains a fairly comprehensive survey of the sins of the times. What is more, most of the foregoing transpired when the fortunes of the Gazette were at a low ebb, or when the paper was a tool of corrupt powers, and when its handling of the sins we have neglected was nowise noteworthy. In the matter of such famous cases as the Nathan and Richardson murders, both extraordinary crimes when the Sixties were giving way to the Seventies, the Gazette was quite its vigorous self. These cases, which show a different side of the Gazette, were touched upon by both the original and the modern Gazette. As years went by and persons who had played a prominent part in these affairs were brought to public attention through death or some other cause, these murders were always reviewed anew and additional matter brought to light. It is of interest, particularly in the Richardson affair, to note the change in attitude that came over the Gazette with advancing years. A distinctly new tone is evident in the ultimate treatment as compared with its handling of the first important murder case that engaged its outraged attention, the tragic deaths for which Polly Bodine was thrice tried. The POLICE GAZETTE came into existence in 1845, and so dates back beyond such contemporaries as Harper's Weekly, Frank Leslie's Weekly and Robert Bonner's Ledger, eminent publications in their respective days, and in competition with which the GAZETTE shone in its own special fashion, and all of whom the GAZETTE outlived, being still in existence. There were two distinct GAZETTES, the first, strangely enough, being a crusading journal. Then, in the Seventies, Richard K. Fox took it over and made it into the pink periodical of sensations and sports, and of which most of us still retain vivid recollections. Its heyday, under Fox, extended beyond the Nifty Nineties, when it began to take on the complexion of a more sophisticated newspaper; one more reason why I have not extended these delvings beyond the gaslit era. The GAZETTE ceased to be funny when it started to take itself as a joke. E. V. E. ______________________________________________ Transcribed by Miriam Medina Transcribed by Miriam Medina RETURN to SINS MAIN RETURN to POLICE MAIN RETURN to MANHATTAN MAIN Back To BROOKLYN Main